Urban Waterways Newsletter Issue 7

Urban Waterways and Critical Issues

Courtesy Jeremy Franklin Orr

Courtesy Jeremy Franklin Orr

This  issue was inspired by the events in the city of Flint and the rude realization for many that Flint was not the first, and will not be the last, community to face the daily realities of an insecure water supply. Our contributors in DC, Los Angeles, and Flint explore some of the critical issues facing urban waterways and their communities.  urban-waterways-newsletter-issue-7

December 12th – La Virgen de Guadalupe

On this day in 1531 the Virgin of Guadalupe was said to have appeared in Mexico to an indigenous man, Juan Diego.

The dark-skinned Guadalupe is often interpreted as a coming together of Spanish and indigenous cultures in Mexico. Her name, Guadalupe is the Spanish pronunciation of the Nahuatl name Coatlaxopeuh, a Mesoamerican fertility goddess. Her appearance to an indigenous man in the New World further rooted Guadalupe to the specificity of this place.

The Virgin of Guadalupe is a powerful religious and cultural icon for Mexico and Mexican-Americans. Her green mantle and golden mandala are readily recognizable to people outside of those groups. She is not only a visualization of faith, but also a symbol of nationalism, cultural pride, and resistance for those in Mexico and beyond its national borders.

 

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Of the four areas explored in Gateways/Portales, Mexicans are the dominant Latinx group in Baltimore, Raleigh-Durham, and Charlotte. In Washington, D.C. metro area, Mexicans are second to Salvadorans. As a result of Mexican migrations throughout the US and the power of her imagery, Guadalupe appears in various iterations throughout the Gateways/Portales exhibition.

 

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She is representative of Mexico in Cornelio Campos’ autobiographical painting Realidad Norteña in “Social Justice & Civil Rights”.

 

 

 

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She is reimagined as an armed millennial in Rosalia Torres-Weiner’s  Madre Protectora displayed in “Making Home and Constructing Communities”.

 

 

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Displayed beneath Torres-Weiner’s painting is a photograph of the altar dedicated to the Virgin of Guadalupe in Baltimore’s Sacred Heart of Jesus Church.

 

 

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Artist Gabriela Lujan placed a candle emblazoned with the Virgin’s image on the Day of the Dead altar in the “Festival as Community Empowerment” section.

 

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High in the festival portal is an image of a diablo dancer resting on the base of an handmade altar for the Virgin after a performance in Durham, NC on her feast day.

 

 

La Virgin de Guadalupe was declared the patroness for the entire Continental Americas by the Catholic Church in 1945. Though she is most often associated with Mexico and Mexican-American culture, she was not specifically designated as the patroness for Mexico until 2002.  Guadalupe acts as a sort of cultural glue in the U.S., with her imagery and associated ceremonies being transplanted, creating a sense of community and solidarity among her devotees in Mexico and beyond.  December 12th marks the Feast of Our Lady of Guadalupe in the United States!

 

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Gateways is open! Through the lenses of social justice, constructing communities, and festivals as community empowerment, the exhibition explores the triumphs and struggles of Latinx migrants and immigrants in four urban destinations: Washington, D.C., Baltimore, MD, Raleigh-Durham, NC and Charlotte, NC

 

 

written with Elena C. Muñoz, research/curatorial assistant for the Gateways exhibition. 

Blended Families – Gateways and Mother’s Day

Today is Mother’s Day in Panama!

Most people know that I am Panamanian. Orgullosamente! Only some people know, however, that my father is Panamanian and my mother is African-American. Interestingly, this did not factor into Gateways until a meeting with Charlotte based artist Nico Amortegui.

Nico, born and raised in Bogotá, Colombia, has lived and worked in the United States since the late 1990s. He is quick to say, one of the main reasons he is here and that he lives in Charlotte is his wife and two daughters.

Early in our exhibition stages when I was deciding what the salient themes were and how they would be represented, I met with Nico in his studio.  We discussed some of his recent work, the growing population of Latinx in Charlotte, Latin American vs Latinx, and the restrictive focus on Latin Americans/Latinxs. THAT was the inspiration for his piece in GatewaysHe wanted to create a piece that focused on Latinxs, but one that included space for his wife – who is not Latina- and his children.

An Immigrant Connection to a Country of Immigrants Nico Amortegui, 2016 Anacostia Community Museum, Smithsonian Institution

An Immigrant Connection to a Country of Immigrants
Nico Amortegui, 2016
Anacostia Community Museum, Smithsonian Institution

 

When his work was in process I referred to it as “blended families” but Nico’s original piece created for the Gateways exhibition is called An Immigrant Connection to a Country of Immigrants.   In his words,

It is based on the fact that when we talk about Latinos we blur out the Americans (United States) that have embrace the Latino culture and have made it part of their life.

This beautiful work is in the “Making Home, Constructing Communities” section of the exhibition, but the message resonates throughout the whole exhibition. When we fight for social justice and civil rights, when we build networks, when we celebrate our communities we do not do this alone. It is never ONLY the Latinx community and it is never only FOR Latinx communities.

This is the story of millions of families in the United States, including mine. So in the spirit of this piece, I say Happy Panamanian Mother’s Day to my mom who has embraced the culture and made it part of our lives. Although my mother is African-American, she has a big Panamanian family is mother to Panamanian children so …

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little me sleeping on my mother in New York

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my mom and me at the Bridging the Americas Opening, 2015

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la familia en Panama, 2009

 

 

HAPPY MOTHER’S DAY, MOM!!! 

 

Gateways is open! Through the lenses of social justice, constructing communities, and festivals as community empowerment, the exhibition explores the triumphs and struggles of Latinx migrants and immigrants in four urban destinations: Washington, D.C., Baltimore, MD, Raleigh-Durham, NC and Charlotte, NC

East of the Anacostia River Takeout Tour

Show me what you eat and I will tell you who you are.

– Jean Anthelme Brillat-Savarin

Jean Anthelme Brillat-Savarin, an 18th century French writer, is credited with being one of the founders of the gastronomic essay. As the Thanksgiving holiday is upon us it is worthwhile to think about our own food culture.  A prominent symbol of the season is the cornucopia, the horn of plenty, which manifests the wealth of the harvest.

However, in many areas of this country, like D.C.’s wards located east of the Anacostia River, food insecurity is confronted on a daily basis.  One of our most basic human needs, access to healthy, nutritional foods is a foundational ingredient towards total well-being.  Yet, food hardship is a daily reality for many Americans.

We took a brief tour of the east of the Anacostia breadbasket: the takeout restaurants (and a couple sit-down ones too) that have defined eating in Wards 7 & 8.

Wards 7 & 8 do have some sit-down restaurants. Busboys & Poets is moving into historic Anacostia.  Uniontown Bar & Grill has survived an ignominious beginning, to become an engaging spot in the community.  Cheers offers some of the best crabmeat-smothered french fries this side of the Chesapeake Bay. Yet wider access to decent grocery stores and healthy food offerings remains elusive for many residents in D.C.’s most economically challenged neighborhoods.

Local archivist and historian Jerry A. McCoy has collected a few relics from the days when a sit-down restaurant east of the Anacostia was perhaps more commonplace:

Hong Kong Restaurant advertisement. Collection of Jerry A. McCoy, Silver Spring, MD

Hong Kong Restaurant advertisement. Collection of Jerry A. McCoy, Silver Spring, MD

The Hong Kong Restaurant operated on Nichols Avenue S.E., what is known today as Martin Luther King Jr. Ave S.E.  in Congress Heights, just down the street from the Hong Kong carryout featured in the video. Tucker’s Restaurant, advertisement below, was located just across the Souza Bridge from Capitol Hill.

Tucker's Restaurant, Pennsylvania Avenue S.E. Collection of Jerry A. McCoy, Silver Spring, MD

Tucker’s Restaurant, Pennsylvania Avenue S.E. Collection of Jerry A. McCoy, Silver Spring, MD

Foodways change as cultural mores do.  As we break bread this Thanksgiving, we might take a moment to reflect on something many of us take for granted, that access to healthy foods in one of the richest countries in the world is not a privilege to be taken lightly.

 

 

Sullivan Family: Service through the Generations

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In honor of Veteran’s Day, the Museum is showcasing the Sullivan Family Collection. Several generations of Sullivans served the country by joining the armed forces or otherwise aiding in military efforts.

Many of the Museum’s holdings relate to family history and community life. Photographs, documents, treasured heirlooms and the accompanying stories reveal the lives of men and women whose efforts contributed to shaping history.

Almost a century ago, Theodore M. Sullivan enlisted in the U.S. army to fight in World War I. His Enlistment Record lists his character as “excellent,” and indicates that he was involved in the battle at Verdun, France. Several photographs show him in uniform. Mr. Sullivan was awarded the Purple Heart medal for military merit for eleven different wounds he sustained while fighting in Europe in 1918.

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In subsequent years, Mr. Sullivan was active in the James E. Walker Post 26 of the American Legion, a wartime veterans’ organization formed in 1919. In this photograph, he is pictured in the middle, third from the top, during a visit of his Post to Washington, DC in 1940.

Other members of the Sullivan family continued a tradition of service for many decades. Theodore’s half-sister, Sadie Thompson, served in the Boston Chapter of the American Red Cross for over half a century, and all of Theodore’s sons enlisted in the armed forces during World War II. Edwin joined the U.S. Navy, while Earle entered the Tuskegee Institution’s program for training the first African American military pilots, now known as the “Tuskegee Airmen.” He was well into his training before his untimely death at the end of 1943.

The display will be on view through November 16, 2016.

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